Womens patterns are made for a C cup with 1" (2.5cm) difference between bust and high bust measurement. Back focal distance from <1mm to 12mm.Įffective focal distance 17.526 mm (0.WOMEN'S: About 5'5" to 5'6" (165cm to 167cm) height. Manual focus only there is only one compatible camera - Samsung Kenox GX-1/ Samsung SR4000.Ĭinematography / Industrial / Machine Vision L-Mount Alliance (Leica, Panasonic, Sigma, DJI and Blackmagic Design cameras) Used also by Ricoh, Chinon, Agfa, Vivitar and KMZ Zenit cameras Sony E/FE Mount Alpha Mirrorless Full Frame / APS-C| Sony NEX Mirrorless APS-C Nikon F 35mm film SLR, Full Frame & APS-C DSLR Other mounts which are now largely historical or a minority in relation to current practices are listed below.Ĭanon F series, A series, and T series SLRsĬompletely interchangeable with earlier FD lensesĬanon EOS 35mm film SLR, Full Frame & APS-H DSLRĬanon EOS M series Mirrorless APS-C CamerasĬanon EOS R series full-frame and APS-C mirrorless cameras lenses designated as RF-S are optimized for APS-C sensors, but will mount on full-frame bodies Both of these mounts are held in place with locating pins and friction locking rings. The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL-mount style is favored with most other cameras and cine lens manufacturers. The PL-Mount is used both on Arri and RED digital cinematography cameras, which as of 2012 are the most used cameras for films shot in digital. In movie cameras, the two most popular mounts in current usage on professional digital cinematography cameras are Arri's PL-mount and Panavision's PV-mount. Many allege that these incompatibilities are due to the desire of manufacturers to " lock in" consumers to their brand. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different. Lens mounts of competing manufacturers (Sony, Nikon, Canon, Contax/Yashica, Pentax, etc.) are almost always incompatible. It is then locked in place by a spring-loaded pin, which can be operated to remove the lens. Once inserted the lens is fastened by turning it a small amount. The tabs are often "keyed" in some way to ensure that the lens is inserted in only one orientation, often by making one tab a different size. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position, yet types such as the C-mount interface are still widely in use for other applications like video cameras and optical instrumentation.īayonet mounts generally have a number of tabs (often three) around the base of the lens, which fit into appropriately sized recesses in the lens mounting plate on the front of the camera. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.Ī lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock (friction lock) type. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, single lens reflex type, single lens mirrorless type or any movie camera of 16 mm or higher gauge. Male mount of Minolta MC-Rokkor 58mm 1:1.4 lens with female lens mount of an Minolta XD-7 Lenses sold per year by mount typeĪ lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. JSTOR ( May 2016) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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